Pierrot Lunaire
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”
- Year: 2014
- Country: Canada, Germany
- Genre: Music, Drama
- Studio: Jürgen Brüning Filmproduktion
- Keyword: transsexual, lgbt
- Director: Bruce LaBruce
- Cast: Susanne Sachße, Maria Ivanenko, Paulina Bachmann, Luizo Vega, Mehdi Berkouki, Boris Lisowski
